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Mohrbooks Literary Agency
Sebastian Ritscher |
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EVERYWHERE AN OINK OINK
An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood
Award-winning playwright, screenwriter, and director David Mamet shares scandalous and laugh-out-loud tales from his four decades in Hollywood where he worked with some of the biggest names in movies.
David Mamet went to Hollywood on top - a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself.
In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set. He depicts the ever-fickle studios and producers who piece by piece eat the artist alive. And he ponders the art of filmmaking and the genius of those who made our finest movies. With the bravado and flair of Mamet's best theatrical work, this memoir describes a world gone by, some of our most beloved film stars with their hair down, and how it all got washed away by digital media and the woke brigade.
Mamet loves the movies and takes us through their genius, highlighting the essential work of overlooked folks like the assistant director, the set dresser, and the film editor. He describes many of his favorite films and performances and why they work: Henry Fonda in Fail Safe, Anne Baxter in The Razor's Edge, Jessica Lange as Frances Farmer. He meticulously goes through the creation of a script and shows us how unimportant dialogue ultimately is to film: a hard lesson for a playwright to learn.
Recessional put Mamet back on the bestseller lists in 2022. This memoir builds on that success with trenchant discussions of the diversity follies in Hollywood and the politics of the entertainment industry. David Mamet's numerous plays include Oleanna, Glengarry Glen Ross (winner of the Pulitzer Prize and the New York Drama Critics' Circle Award), American Buffalo, Speed-the-Plow, Boston Marriage, November, Race, and The Anarchist. He wrote the screenplays for such films as The Verdict, The Untouchables, Ronin, and Wag the Dog, and has twice been nominated for an Academy Award. He has written and directed ten films, including Homicide, The Spanish Prisoner, State and Main, House of Games, Spartan, and Redbelt. In addition, he wrote the novels The Village, The Old Religion, Wilson, The Diary of a Porn Star, Chicago, and many books of nonfiction, including Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business; Theatre; Three Uses of the Knife: On the Nature and Purpose of Drama, and two New York Times bestsellers The Secret Knowledge: On the Dismantling of American Culture and Recessional: The Death of Free Speech and the Cost of a Free Lunch. His HBO film Phil Spector, starring Al Pacino and Helen Mirren, aired in 2013 and earned him two Emmy Award nominations for Outstanding Writing and Outstanding Directing. He was cocreator and executive producer of the CBS television show The Unit and is a founding member of the Atlantic Theater Company.
In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set. He depicts the ever-fickle studios and producers who piece by piece eat the artist alive. And he ponders the art of filmmaking and the genius of those who made our finest movies. With the bravado and flair of Mamet's best theatrical work, this memoir describes a world gone by, some of our most beloved film stars with their hair down, and how it all got washed away by digital media and the woke brigade.
Mamet loves the movies and takes us through their genius, highlighting the essential work of overlooked folks like the assistant director, the set dresser, and the film editor. He describes many of his favorite films and performances and why they work: Henry Fonda in Fail Safe, Anne Baxter in The Razor's Edge, Jessica Lange as Frances Farmer. He meticulously goes through the creation of a script and shows us how unimportant dialogue ultimately is to film: a hard lesson for a playwright to learn.
Recessional put Mamet back on the bestseller lists in 2022. This memoir builds on that success with trenchant discussions of the diversity follies in Hollywood and the politics of the entertainment industry. David Mamet's numerous plays include Oleanna, Glengarry Glen Ross (winner of the Pulitzer Prize and the New York Drama Critics' Circle Award), American Buffalo, Speed-the-Plow, Boston Marriage, November, Race, and The Anarchist. He wrote the screenplays for such films as The Verdict, The Untouchables, Ronin, and Wag the Dog, and has twice been nominated for an Academy Award. He has written and directed ten films, including Homicide, The Spanish Prisoner, State and Main, House of Games, Spartan, and Redbelt. In addition, he wrote the novels The Village, The Old Religion, Wilson, The Diary of a Porn Star, Chicago, and many books of nonfiction, including Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business; Theatre; Three Uses of the Knife: On the Nature and Purpose of Drama, and two New York Times bestsellers The Secret Knowledge: On the Dismantling of American Culture and Recessional: The Death of Free Speech and the Cost of a Free Lunch. His HBO film Phil Spector, starring Al Pacino and Helen Mirren, aired in 2013 and earned him two Emmy Award nominations for Outstanding Writing and Outstanding Directing. He was cocreator and executive producer of the CBS television show The Unit and is a founding member of the Atlantic Theater Company.
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Published 2023-12-05 by Simon & Schuster |