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Edward Everett Root
John Spiers |
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Ezra Pound and Modernism
The Irish Factor * Papers from the 25th Ezra Pound International Conference in Dublin, 2013* Preface by Seamus Heaney
Modernism had both American and Irish roots. Modernism in English literature had its origins in the work of Irish and American writers. Pound was the chief advocate of a new literary style in English, which the writings of Yeats, Joyce, and T. S. Eliot would articulate. Ulysses and The Waste Land, published in the same year, 1922, would become its complex masterpieces, still challenging readers after nearly a century, and still unsurpassed.
Contents: Preface; Seamus Heaney: Welcome Address. I. ASPECTS OF MODERNISM: William Pratt, Defining Modernism: Technique Plus Critique; Alice Bailey Cheylan,Amy Lowell’s European Experiment; Desmond Egan, The Modernists, Pound and Hopkins. II. ON TRANSLATION: Heinz Ickstadt and Manfred Pfister, Eva Hesse and the Adventures of The Cantos in German;Giovanna Epifania, Dante’s Afterlife and the Question of Translation: Pound, Binyon, Heaney; Peter Liebregts, “With the sun in a golden cup”: Pound and Stesichorus in Canto 23; Giuliana Ferreccio, Pound, Benjamin, and the Language of Names; John Gery, Paradise, Compassion, and Jen in Canto 93. III. IRISH DIMENSIONS: Walter Baumann, “I ask you, had Synge an audience in his life-time?”: Ezra Pound and J. M. Synge; Anne Conover, The Pounds and the Yeatses: An Irish-American Friendship and Its Influence on Modern Poetry. Catherine Paul, Reading Yeats Reading Pound; Massimo Bacigalupo, “Iseult who was the great love”: Ezra Pound, Iseult Gonne, and Francis Stuart; Ira Nadel, Pound & the Artichoke, Beckett & the Whistle. IV. THE FINE ARTS: Caterina Ricciardi, Botticelli’s Mystical Nativity and the Isle of Capri in W. B. Yeats’s A Vision; Jonathan C. Creasy, “Let’s to Music”: Florence Farr, Arnold Dolmetsch and Pound’s Musical Poetics; Jo Brantley Berryman Ezra Pound, Aubrey Beardsley, and The Yellow Book.Notes on Contributors. Index.