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INDIAN COUNTRY

Shobha Rao

A Novel

In this multi-generational novel, a couple from India moves to Montana, generating a stunning tapestry of stories that show just how brutal and unforgiving hubris can be. A bold, ambitious, beautiful tale about colonialism and the rippling ramifications still felt today.
Janavi and Sagar were never meant to end up married: Janavi is an independent, modern woman who works for an organization in India that helps street children. Sagar is a trained hydraulic engineer, an expert in dam construction. He is the least favorite son, his parents never able to forgive him for an unspeakable act from his past, who seeks refuge in his daydreams. Yet the two are forced together into an arranged marriage which neither of them wants. Even worse, Sagar has already accepted a job in Montana in America, where he will be in charge of dismantling a dam.

Montana upends all their expectations. Sagar's white colleagues do not welcome him with open arms. When a colleague of Sagar's is found drowned, Sagar is the obvious scapegoat. But is this death one in a long history of women of color paying the price for the white man's arrogance and expansionism?

Complicated, fearless, and provocative, this is perfect for readers of books like Brit Bennett's THE VANISHING HALF or Téa Obreht's THE TIGER'S WIFE.

Shobha Rao moved to the United States from India at the age of seven. Her story "Kavitha and Mustafa" was chosen by T.C. Boyle for inclusion in BEST AMERICAN SHORT STORIES 2015. She is the author of the short story collection AN UNRESTORED WOMAN; the novel GIRLS BURN BRIGHTER was published in 2018 to wonderful critical praise. Named a "Best Book of the Year" by The Washington Post and NPR, it was also longlisted for the Center for Fiction First Novel Prize. She lives in San Francisco.
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Published 2025-08-01 by Crown Fiction

Comments

If I have one critique, it's the ending. I longed for another hundred pages to stay with these characters.

Rao's prose is so controlled it feels as if she's drawing a masterly bow across violin strings. . . . Indian Country invites multiple readings to unlock its structure and logic, but it rewards its readers with alluring opportunities for darshan. The potential to glimpse divinityeven to contemplate a returned gazeis worth the challenge.

[Indian Country] admirably undoes the conventions of the assimilation novel . . . A lyrical and propulsive story that makes the most of its double-edged title.

A triumph of plotting, pacing, and powerfully drawn characters that raises complex questions of morality, guilt, and salvation.