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SWEET JIMMY

Bryan Brown

Who are we to not to believe Sam Neill? The man knows everything, including how to make wine and shear sheep. Taut and crackling with character, the gritty, raw and sometimes very funny stories in Sweet Jimmy are Aussie Noir at its best.
Crime doesn't discriminate... it can happen to anyone... it could happen to you... in any ordinary suburb... at any time: Phil and Sweet Jimmy are cousins. Phil grows orchids...spider orchids... learnt about them in the nick. Jimmy likes orchids, too, but there are other things he likes even more... Trish Bennett didn't like her life. Hadn't liked it for a long time. Been on the streets. Bit of this for a bit of that. The 'that' wasn't always nice. Then Ahmed found her. Sam is a tea-leaf, a thief. Likes nickin...anything...always has... until the day he knocked off more than the Volvo. Fell for the sexy and beautiful Sue May from Hong Kong, Frank Testy did. Silly old prick. What price for ego? A huge bloody price it turns out. Iconic Australian actor Bryan Brown became an international success in the early eighties with critical acclaim from performances in Breaker Morant and the TV series A Town Like Alice. A stream of Australian hits and Hollywood productions followed including The Thorn Birds, Gorillas in the Mist, FX, Newsfront, The Shiralee, Cocktail, Two Hands, Beautiful Kate, Along Came Polly, Australia and in 2019 Palm Beach, which he produced and starred in. In a 40-year career Bryan has appeared in over 80 films and worked in some 25 countries. This achievement earned him the prestigious Longford Lyell Award at the 2018 AACTAs recognising his contribution to Australian cinema.
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Published 2021-08-01 by Allen & Unwin

Comments

My friend Bryan Brown, quite apart from his other manifold talents, turns out to be an excellent writer. An authentic voice; highly imaginative yet completely believable, with a flair for fully realised characters and a gripping narrative ... a great story teller. This is utterly baffling. I'm furious.

Uniquely Australian and uncommonly good, I could hear the author's voice in every spare, haunting line. More please.