THE AVIAN HOURGLASS

At once an ode to birds, an elegy to space, and a journey into the most haunted and uncanny corners of the human mind, The Avian Hourglass showcases Lindsey Drager's signature brilliance in a stunning, surrealist novel for fans of Jesse Ball, Helen Oyeyemi, Yoko Ogawa, and Shirley Jackson.

The birds have disappeared. The stars are no longer visible. The Crisis is growing worse. In a town as isolated as a snowglobe, a woman who dreams of becoming a radio astronomer struggles to raise the triplets she gave birth to as a gestational surrogate, whose parents were killed in a car accident. Surrounded by characters who wear wings, memorize etymologies, and build gigantic bird nests, and bound to this town in which young adults must decide between two binary worldviews - either YES or NO - the woman is haunted by the old fable of the Girl in Glass Vessel, a cautionary tale about prying back the façade of one's world. When events begin to unfold that suggest a local legend about the town being the whole of the universe might be true, the woman finds her understanding of her own life - and her reality - slipping through her fingers. A reflection on the intersecting crises of mental health, the climate emergency, political polarization, and the exponentially growing reliance on technology, The Avian Hourglass culminates in a figurative and literal twist that asks readers to reframe how they conceive of a series of concentric understandings of home: the globe, one's country, one's town, one's family, and one's own body. Lindsey Drager is the author of three novels: The Sorrow Proper (Dzanc, 2015); The Lost Daughter Collective (Dzanc, 2017); and The Archive of Alternate Endings (Dzanc, 2019). These books have won a Shirley Jackson Award, been finalists for two Lambda Literary Awards, and are currently being translated into Spanish ?and Italian. Recent fiction can be found or is forthcoming in Conjunctions, The Iowa Review, The Southern Review, and elsewhere. A 2020 NEA Fellowship recipient in Prose and winner of the 2022 Bard Fiction Prize, she is an assistant professor at the University of Utah and the fiction editor of West Branch.