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THE END OF THE ROAD

Andrew Welsh-Huggins

A bank robber tries to leave behind his life of crime after serving his time. But getting out isn't so easy.
Myles's courtroom testimony should have put Pryor, their one-eyed ringleader, behind bars after the bank robbery gone wrong, yet somehow Pryor got off scot-free while Myles served time. Now, upon his release, Myles decides he is done with his life of crime - a change that will only be possible if he can kill Pryor and turn over a new leaf. Pryor has other ideas, and the collision between these two deadly forces soon leaves the ex-con in critical condition, clinging to life in a hospital bed. With Myles in recovery, it's up to his girlfriend Penny to avenge her lover and salvage their chance at normalcy. As Pryor and his cronies prepare for their biggest score yet - stealing the legendary fortune said to be hidden in a farmhouse outside their small Ohio town - Penny is hot on their heels. But is she prepared for the carnage Pryor will gleefully wreak on the path to his prize? With characters as sharply drawn as those in a Dennis Lehane novel and a rich Midwestern setting, THE END OF THE ROAD is a fast-paced rural noir that announces Andrew Welsh-Huggins as one of the most powerful voices in the mystery world. Andrew Welsh-Huggins is a Columbus, Ohio-based Associated Press reporter, the editor of Columbus Noir, and the author of the Andy Hayes series.
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Published 2023-04-11 by Mysterious Press

Comments

The End of the Road starts with a bang. Literally. And the tension and stakes only rise from there. This is the riveting and highly entertaining portrait of two unlikely but relentlessly determined protagonists who are seeking justice and peace at any cost. Smart, engaging, and expertly written - don't miss it.

An elegant crime story... packed with quirky, entertaining characters and told in flowing prose that has a life of its own... Recommend this to anyone who can respond to golden - if blood-soaked - prose.

Hardboiled, All-American noir... Welsh-Huggins's vivid sense of place and incisive characterizations create a believable portrayal of both utterly depraved evil and the genuine goodness of those decent, brave few who are heroic without ever knowing it. An epic small-town mid-Western.

Hell hath no fury like a woman, or a crime boss, scorned. A crackerjack crime yarn chockablock with miscreants and a supersonic pace.