| Vendor | |
|---|---|
|
Mohrbooks Literary Agency
Sebastian Ritscher |
| Original language | |
| English | |
| Categories | |
| Weblink | |
| https://catalog.simonandschuster … | |
THE HOLY OR THE BROKEN
Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of "Hallelujah"
A fascinating account of the making, remaking, and unlikely popularizing of one of the most played and recorded rock songs in history—Leonard Cohen’s beautiful and heartrending “Hallelujah.”
It’s become a staple of movie and television shows as diverse as Shrek, The OC, and The West Wing. It was the song MTV and VH1 chose for their official post-9/11 tribute video, using Jeff Buckley’s acclaimed rendition, and was the centerpiece of the telethon that followed the 2010 earthquake in Haiti.
Today, it is one of the most recorded rock songs in history, covered by hundreds of artists, including Bono, Bon Jovi, Justin Timberlake, Susan Boyle, and Celine Dion. Yet when iconoclastic rocker Leonard Cohen first wrote and recorded the song “Hallelujah,” it attracted little attention or airplay, not even making it onto his own “Best of” album.
How did one unknown song become an international anthem for human triumph and tragedy, one which each successive generation feels they have discovered and claimed as uniquely their own?
Through in-depth interviews with the people who were actually there, Alan Light—one of the foremost music journalists working today—follows “Hallelujah”’s improbable and epic journey straight to the heart of popular culture.
The Holy or the Broken not only gives insight into how great songs come to be, but how they come to be listened to and forever reinterpreted.
Alan Light was a senior editor at Rolling Stone, founding music editor and editor-in-chief of Vibe, and editor-in-chief of Spin Magazine. He has been a contributor for The New Yorker, GQ, Entertainment Weekly, Elle, Mother Jones, and the Oxford American and is also author of The Skills to Pay the Bills, an oral history of the Beastie Boys.
Today, it is one of the most recorded rock songs in history, covered by hundreds of artists, including Bono, Bon Jovi, Justin Timberlake, Susan Boyle, and Celine Dion. Yet when iconoclastic rocker Leonard Cohen first wrote and recorded the song “Hallelujah,” it attracted little attention or airplay, not even making it onto his own “Best of” album.
How did one unknown song become an international anthem for human triumph and tragedy, one which each successive generation feels they have discovered and claimed as uniquely their own?
Through in-depth interviews with the people who were actually there, Alan Light—one of the foremost music journalists working today—follows “Hallelujah”’s improbable and epic journey straight to the heart of popular culture.
The Holy or the Broken not only gives insight into how great songs come to be, but how they come to be listened to and forever reinterpreted.
Alan Light was a senior editor at Rolling Stone, founding music editor and editor-in-chief of Vibe, and editor-in-chief of Spin Magazine. He has been a contributor for The New Yorker, GQ, Entertainment Weekly, Elle, Mother Jones, and the Oxford American and is also author of The Skills to Pay the Bills, an oral history of the Beastie Boys.
| Available products |
|---|
|
Book
Published 2012-12-01 by Atria |
|
Book
Published 2012-12-01 by Atria |