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Liepman Literary Agency
Marc Koralnik |
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THE HONEY FARM
For fans of Darren Aronfsky's Black Swan and readers of Kazuo Ishiguro's unnerving novel Never Let Me Go , THE HONEY FARM, by the talented Harriet Alida Lye is a psychological thriller about art, bees and love.
Lily King meets Patricia Highsmith in this slyly seductive debut set on an eerily beautiful farm teeming with secrets.
The drought has discontented the bees. Soil dries into sand; honeycomb stiffens into wax. But Cynthia knows how to breathe life back into her farm: offer it as an artists' colony with free room, board, and life experience in exchange for backbreaking labor. Silvia, a wide-eyed graduate and would-be poet, and Ibrahim, a painter distracted by constant inspiration, are drawn to Cynthia's offer, and soon, to each other.
But something lies beneath the surface. The edenic farm is plagued by events that strike Silvia as ominous: taps run red, scalps itch with lice, frogs swarm the pond. One by one, the other residents leave. As summer tenses into autumn, Cynthia's shadowed past is revealed and Silvia becomes increasingly paralyzed by doubt. Building to a shocking conclusion, THE HONEY FARM announces the arrival of a bold new voice and offers a thrilling portrait of creation and possession in the natural world.
Harriet Alida Lye is a writer from Richmond Hill, Ontario. She studied Philosophy and English at the University of King's College and lived in Paris for the better part of eight years, where she worked as a bookseller at Shakespeare & Company, an English teacher for the children of Jacques Lacan and Julia Kristeva, a storytelling researcher for Google, a painter's model, and various other jobs that kept her from completely starving as an artist. She founded and edited Her Royal Majesty, a literary arts magazine that ran for six years and 13 issues and published James Franco, Robert Hass, and the first-ever short story by Alice Munro. Her fiction, essays and reporting have been published by VICE, Hazlitt, Happy Reader, The Guardian, The National Post, and more. Harriet now lives in Toronto, and works at the McMichael Canadian Art Collection.
The drought has discontented the bees. Soil dries into sand; honeycomb stiffens into wax. But Cynthia knows how to breathe life back into her farm: offer it as an artists' colony with free room, board, and life experience in exchange for backbreaking labor. Silvia, a wide-eyed graduate and would-be poet, and Ibrahim, a painter distracted by constant inspiration, are drawn to Cynthia's offer, and soon, to each other.
But something lies beneath the surface. The edenic farm is plagued by events that strike Silvia as ominous: taps run red, scalps itch with lice, frogs swarm the pond. One by one, the other residents leave. As summer tenses into autumn, Cynthia's shadowed past is revealed and Silvia becomes increasingly paralyzed by doubt. Building to a shocking conclusion, THE HONEY FARM announces the arrival of a bold new voice and offers a thrilling portrait of creation and possession in the natural world.
Harriet Alida Lye is a writer from Richmond Hill, Ontario. She studied Philosophy and English at the University of King's College and lived in Paris for the better part of eight years, where she worked as a bookseller at Shakespeare & Company, an English teacher for the children of Jacques Lacan and Julia Kristeva, a storytelling researcher for Google, a painter's model, and various other jobs that kept her from completely starving as an artist. She founded and edited Her Royal Majesty, a literary arts magazine that ran for six years and 13 issues and published James Franco, Robert Hass, and the first-ever short story by Alice Munro. Her fiction, essays and reporting have been published by VICE, Hazlitt, Happy Reader, The Guardian, The National Post, and more. Harriet now lives in Toronto, and works at the McMichael Canadian Art Collection.
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Book
Published by Vagrant Press |