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THE VEXATIONS

Caitlin Horrocks

A kaleidoscopic debut novel about love, family, genius, and the madness of art, circling the life and times of French composer Erik Satie, set in early twentieth-century Paris.

The iconic French composer Erik Satie has captivated listeners globally since his youth and the beginning of his career, and long after his death nearly a century ago. Now, debut novelist Caitlin Horrocks brings us a new perspective on his life, vividly reimagined through his own eyes and the eyes of those closest to him. Atmospheric and provocative, The Vexations is a composite portrait of a deeply fragile man obsessed with fame and unable to reconcile his need for affection with his distaste for overt displays of affection.

Satie's childhood, spent separated from his family, left him emotionally stunted and aching for approval and appreciation, particularly that of his older sister. Louise herself suffered from their separation so deeply that forgiveness and true connection became impossible, even after tragedy struck her in adulthood and she, too, was desperate for support.
Caitlin Horrocks is a powerful and dynamic new voice in fiction, and The Vexations is a remarkable feat of storytelling that offers a window into one of history's most enigmatic artists.

Caitlin Horrocks is author of the story collection This Is Not Your City, a New York Times Book Review Editor's Choice and a Barnes and Noble Discover Great New Writers selection. Her stories and essays appear in The New Yorker, The Best American Short Stories, The PEN/O. Henry Prize Stories, The Pushcart Prize, The Paris Review, The Atlantic, Tin House, One Story, and other journals and anthologies. Her awards include the Plimpton Prize and fellowships to the Bread Loaf Writers' Conference and the MacDowell Colony. She is the fiction editor of The Kenyon Review and teaches at Grand Valley State University, and occasionally in the MFA Program for Writers at Warren Wilson College.
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Published 2019-06-01 by Little, Brown (US)

Comments

“What a fabulous, original novel The Vexations is. Its unflinching honesty about an artistic world notable for both heart and heartlessness has given us a haunting, indelible story.” ?Joan Silber, author of the National Book Critics Circle Award winner Improvement

I've loved Caitlin Horrocks's work for a long time, so I am not surprised—though I am overjoyed—to find that she has written a gorgeous, sensitive, deeply immersive novel in The Vexations. You'll never hear the music of Erik Satie again without diving back into the layers of genius, torment, eccentricity, abandonment, and profound sadness that Caitlin so masterfully evokes in this beautiful book. (Lauren Groff, National Book Award finalist and New York Times bestselling author of Fates and Furies and Florida)

Horrocks shines while envisioning Erik scoring a silent film, debuting a masterpiece, or being released from jail (where he was held for defaming a reviewer) so he can complete a commission. Horrocks's description of Satie's music is also apt for her noteworthy novel: slow, spare, and at its best finely filigreed. Read more...

Horrocks paints an atmospheric portrait of bohemian Paris and a poignant one of Satie and his avant-garde circle, who "lived in the yet: not now, but soon" when their art would be recognized. . . . Finely written and deeply empathetic, a powerful portrait of artistic commitment and emotional frustration.

"I've loved Caitlin Horrocks's work for a long time, so I am not surprised—though I am overjoyed—to find that she has written a gorgeous, sensitive, deeply immersive novel in The Vexations. You'll never hear the music of Erik Satie again without diving back into the layers of genius, torment, eccentricity, abandonment, and profound sadness that Caitlin so masterfully evokes in this beautiful book." —Lauren Groff, author of Florida